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Paper Cutting
Paper cutting is a traditional art that has evolved throughout
the course of Chinese
cultural development. Its origin should be closely connected
with the invention of paper during the Han dynasty (206 B.C.-221
A.D.). As paper was highly precious in the early days, the
art of paper cutting first became popular in the royal palaces
and houses of nobility as a favorite pastime among court ladies.
Later, during the 7th through 13th centuries, paper cutting
was immensely popular during folk festivals and celebrations.
By the 14th century, the art had spread to the Middle East
and Europe; and by the 15th century onward, paper cut art
works had become an integral part of the everyday life of
the people. However, the art of paper cutting was on the verge
of dying out during the past century as old China experienced
successive years of the disaster of war brought on by domestic
turmoil and foreign invasion. Amidst a myriad of changes in
their lives, most people had no leisure time to engage in
the study of the art of paper cutting.
The Republic of China on Taiwan has been actively promoting
the renaissance of Chinese culture since the 1980s. The art
of paper cutting has again received a great deal of attention
because of heavy publicity, resulting in even more innovative
artwork.
The
influence of paper cutting on continental Europe and Asia
can be traced back to the seventh century. It spread to Japan
and then to the Middle East and Europe via the Silk Road,
thus leading to the development of many diverse styles. Today,
many valuable ancient paper cutouts are kept in the national
museums of these countries.
The art of paper cutting has remained unfading in China through
the ages principally because its devotees used the skills
of knife and scissors to dynamically depict splendid Chinese
culture and folk festivals in all its many facets-in a most
interesting and likable way that is felt to be more and more
precious with the passage of time.
For example, noble ladies in ancient times would often use
paper cutting to practice their art during their leisure,
while social calls by ordinary folk involved giving paper
cuts as gifts and using paper cut fancy likenesses for pretty
adornment to signify auspiciousness. Subsequently, mutual
emulation and minute study led to a superb level of technique.
By later generations, paper cut art ranged from clipping complicated
patterns using a tiny pair of scissors to often making cutouts
into window decorations, clothes-making stencils, or embroidery
patterns for shoes.
As the art has been passed down through the generations,
the mainstream techniques developed many diverse forms, but
the themes of the subject matter have primarily remained folk
motifs, with two-dimensional illustrations as the primary
form. The technique they display consists of a combination
of trimming with scissors and carving with a knife. The rendering
of their visual appearance involves such methods as applying
multiple layers of color, folding symmetrically, individually
pasting, or uniquely engraving. These diversified cutting
methods could be said to be quite beautiful, but manifestation
of the unique, lively beauty of paper cut art still depends
on the artistic mastery of every paper cut artisan.
www.gio.gov.tw
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